Arizona ants mock the food chain on their way to a desert lab to get two scientists and a woman.

2038: George Almore is working on a true human-equivalent AI. His latest prototype is almost ready. This sensitive phase is also the riskiest. Especially as he has a goal that must be hidden at all costs: being reunited with his dead wife.

Alison Whitford thought she had it all. An accomplished career woman, she resisted getting married until she found “the One.” And Dominick was everything she had ever hoped for in a man. Still in the honeymoon phase of her marriage, Alison’s world is turned upside down when Dominick dies suddenly in a car accident. When it’s revealed that he was murdered and then even more secrets about Dominick’s life come to light. It soon becomes clear that Alison was not the only one mourning Dominick, and that his death was only the beginning of a larger plan. Perhaps her perfect husband wasn’t so perfect after all, and some of his secrets may be worth killing for…

Elena and Ivan are getting ready to enter into a new phase in their life. They are leaving the metropolis of Barcelona to settle in the Catalan countryside, where they are taking over a cork oak plantation. Not only will the business pay for their living, but they also want to exploit the plantation equitably and sustainably. But despite their ideals, Elena and Ivan soon find themselves in a crisis which will endanger not only their project, but also their relationship.

ZOMBIE WITH A SHOTGUN is the feature adaptation of the popular web series of the same name. Aaron and Rachel are on the run due to the fact that Aaron is infected by what seems to be a zombie virus. As the story unfolds, they find that there is more to this infection than it seems. For some reason, he has not developed the full zombie virus. He seems to be trapped in a transitional phase which grants him certain abilities. One of them is the ability to communicate with other zombies. This makes Aaron a valuable pawn as he’s being pursued by shadowy figures with ulterior motives. Now he must stay alive (or undead) long enough to figure out the source of his infection!

Travis Wolfe lives in a world all his own. He’s roaming the streets of Hollywood, struggling to finish his thesis documentary project for film school before he can graduate and start the next phase of life. After reconnecting with his estranged uncle Robin, a veteran television producer on the wrong side of his career, Travis unravels the mystery of his father’s suicide. A glimmer of hope is offered through his relationship with Kristen, a streetwise fashion designer from Koreatown with big dreams of her own. As tensions begin to brew with her protective older brother Bobby and family secrets put his newly established connection with Robin to the test, Travis struggles to hold it all together long enough to figure out his future, as well as his past.

Two different individuals on a journey of love, loss and life through the phases of Reincarnation.

In this provocative documentary, worldwide experts in the fields of futurology, anthropology, neuroscience and philosophy consider the impact of technological advances on the two certainties of human life: work and death. Charting human developments from early man, past the Industrial Revolution, to the digital age and beyond, THE FUTURE OF WORK AND DEATH looks at the astonishing exponential rate at which mankind creates technologies to ease the process of living. As we embark on the next phase of our ‘advancement’ with automation and artificial intelligence driving the transformation from man to machine, the film gives a shockingly realistic look into the future of human life.

CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney’s abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 …

Longtime best friends Bebe and DeeDee are both wrestling with love. Bebe has met someone new and is in the exuberant phase of a budding romance. DeeDee is trying to move on from someone she can’t forget – mostly in destructive ways. As Bebe waits for the perpetually late DeeDee at their favorite coffee shop, she meets Clementine, a distraught young woman with love problems of her own. With Clementine in tow, Bebe and DeeDee soon embark on the kind of outrageous misadventure that only New York City can offer.

Three teenagers appear to have a lot of fun on the children’s oncology department on the fourth floor of a large hospital. Nick (14) and Iwan (15) both lost a leg as a result of bone cancer. For their friend Olivier (16) an amputation may be the next phase. The fourth of the bunch, Pepijn (15), is so ill and weak that he often stays in his room. Friendship and a deep desire to live keeps the guys mentally balanced. And of course their interest in sexy girls makes them act like any ordinary teenager. They make jokes about their illness. They call each other “sickos”. The sickos cannot walk, but with their wheelchairs they do risky stunts and organise joyrides in the corridors of the hospital. Their friendship changes when Gina (16) arrives. The boys try to seduce her, but Gina is not interested at first, until she realises that her stay in the hospital will be a lot less depressive when she has friends. Sickos is a humorous drama that deals with adolescence and chemotherapy

A simple can of ravioli propels this spectacular 30,000-kilometre, eight-country journey through all phases of food production and the far flung sources of international ingredients. A dream-like voyage with glimpses of disconcerting realities, the story begins with a single mother toiling in one of the biggest open pit mines in Brazil and ends on the shelf of a grocery store in Finland. Along the way, the workers whose calloused hands mine, raise and harvest each ingredient reveal their dreams and hopes, like the Danish pig farmer who loves his sows but longs for a girlfriend, and the Portuguese tomato picker who wants to stay healthy long enough to pay her daughters way through university. Sumptuous photography and impressive sound design make an eloquent statement about our modern, globalized world, making us aware of the hundreds of invisible people who prepare the food we eat every day. -Gisèle Gordon (HotDocs.ca)

Callie and Mariana Foster embark on the next phase of their young adult lives in Los Angeles.

11-year-old Nicolas lives with his mother in a seaside housing estate. The only place that ever sees any activity is the hospital. It is there that all the boys from the village are forced to undergo strange medical trials that attempt to disrupt the phases of evolution.

Amar, Prem and Meet are longtime friends who have gone through every phase of growing up together and are now bored of their insipid married lives. To add a little spice to their lives they plan a wild adventure at their college reunion! When fun turns into something more insidious and deceitful, they find themselves being led astray and right into a seductive web of danger. Packed with innuendo and double meaning, this is an adult comedy based on a strong undertone of sex.

A group of scientists is sent to the planet Arkanar to help the local civilization, which is in the Medieval phase of its own history, to find the right path to progress. Their task is a difficult one: they cannot interfere violently and in no case can they kill. The scientist Rumata tries to save the local intellectuals from their punishment and cannot avoid taking a position. As if the question were: what would you do in God’s place? Director’s statement Aleksei wanted to make this film his entire life. The road was a long one. This is not a film about cruelty, but about love. A love that was there, tangible, alive, and that resisted through the hardest of conditions.